This week, I’m sharing your thoughts about Turning Red and teaching rules. Also, readers of this newsletter may be interested in the Sr. Prudence Allen reading group that Serena Sigillito is starting. I’ve signed up!
Previously, I shared Noah Millman’s analysis of Turning Red, and his argument that a story about puberty and sexuality can’t be one where our temptations are easily mastered. I was curious about your own stories of rules that are good for children, and acknowledge how hard self-mastery can be.
Gemma reframed the lessons of Turning Red:
Turning Red echoes Moana in having a heroine whose coming of age is less about repudiating what went before and more about returning to it. In both cases, this framing is perhaps partly demanded by respect for the underlying culture. Certainly, it would have been deeply culturally insensitive to have a Polynesian Disney heroine whose main arc was about breaking with her ancestors!
I really like it, as a trend, though. Finding your own way doesn’t have to be about finding a completely new way. Sometimes it can be about finding your connection with something much older.
This was definitely something I liked about Moana. It uses the beats of a “child-rebukes-adults” story to do something richer and more complicated. It’s a good counterexample to the tendency Ross is frustrated with below:
Respecting children means acknowledging that they struggle, too! They aren’t oracles for adults, and we shortchange them if we don’t teach them.
Mary suggested a book for small children:
My almost 2yo really likes Umbrella by Taro Yashima. Umbrella is the story of a little girl who gets an umbrella and boots for her 3rd birthday and is SO EXCITED but has to endure many days of nice weather before it finally rains. On a sunny day, she tells her mother she needs her umbrella because the sun bothers her eyes; on a windy day, she tells her mother she needs her umbrella because the wind bothers her eyes. Her mother says, "You know you can enjoy the sunshine better without the umbrella" and "the wind might blow your umbrella away" along with, "Let's save it for a rainy day." Finally, it rains, and the protagonist gets to use her umbrella. A savvy reader also notices that she matures as well. The book is wonderful for a number of other reasons, too, but to your point, the boundaries she gets from her mother are perfectly reasonable and help her understand how to live in the world, how to act in different kinds of weather.
I love the idea of this book! (And not just because we have to hide our two-year-old’s rain boots if we want her to wear normal shoes). I like that there’s nothing wrong with the umbrella, but we have to accept limits on good things to use them rightly and to make sure they don’t interfere with other goods.
Mary went on to share the way she thinks about how to help her daughter grow:
When I see my toddler daughter as my apprentice, that gives me a focus for how I discipline her and what boundaries I set. I want her to be able to live as an adult, which includes skills like making scrambled eggs and attitudes like respecting other people. So I think about what she can do now (physically & mentally) and what is the next step toward getting her to the goal.
Elizabeth offered a reading suggestion for older readers:
Elizabeth Marie Pope's The Perilous Gard is a Newbery Honor book that addresses some of these questions. Her main character, Kate, struggles a lot because she is clumsy and less attractive than her younger sister. She isn't ugly, but she can't fit into other people's ideas about feminine beauty, either. Kate's close relationship with her father, who appreciates her intelligence, can't make up for her mother's rejection. Over the course of the book, she does learn how to be less clumsy (through putting in a lot of hard work), but her ability to accept and enjoy her body is really centered in finding out that, even if some people will always misunderstand her, there are others who will value her for her character and analytical mind—the very things that have made it hard for her to fit in. Caring less about society's standards actually makes her more useful to the people around her.
I second the recommendation! The Perilous Gard was one of my favorite books I read in 2021.
Romola had a interesting read about why Mei’s panda is so manageable:
I think it was clever that, of all her family members, Mei had the smallest and least threatening panda. That metaphor worked for me! As someone raised by flawed but deeply loving parents, it makes sense that she may have some of her own emotional baggage, but that the baggage would be much smaller than that of her first-generation mom, or her immigrant grandmother.
The emotional and physical upheaval of puberty might change her in some fundamental ways, but she lacks the trauma of the other women in her family. She can engage with the messy part of herself and return to a steady baseline because she was raised with emotional and physical security that the other women were not. I really, really liked that the movie treated the choice of the older women in her family to hide their pandas empathetically, and didn't judge them for doing so.
So, in this reading, the rules have changed for Mei because of her parents’ good work. But that leaves them in a tough spot, since their hard-earned habits aren’t the right ones for her. (I discussed similar themes in Encanto here).
Or, to misuse John Adams:
I must study politics and war that my sons may have liberty to study mathematics and philosophy. My sons ought to study mathematics and philosophy, geography, natural history, naval architecture, navigation, commerce and agriculture in order to give their children a right to study painting, poetry, music, architecture, statuary, tapestry, and porcelain… and pandas.
Sometimes parenting well means making some of your scarcity- or fear-driven habits and traditions irrelevant to your children.
Interesting what Elizabeth says about The Perilous Guard; it's good to start thinking about what kind of children's books and movies I might like my future kids to read. Having struggled a lot with gender identity issues, I see how I was holding myself, as a boy, to female standards (of beauty and behavior) that caused me to ignore my own natural beauty and goodness. I really was struggling with both male and female standards at the same time. I can be feminine as a man, yes, but in more ways I didn't even want to think about how being male can lend itself to a different kind of aesthetic and that masculinity has its own goodness.
But I've lately been trying to think, how might I have avoided these struggles in the first place or how boys might avoid them today? It's hard to say whether the skills I developed here would necessarily serve to help someone else unless they're already in the thick of these struggles and are wanting to gain these skills. And it's hard to have a clear sense of what might have made a good male role model for me as a boy.
If anyone is interested in a film that explores very similar themes from the mother’s perspective, I cannot recommend Everything Everywhere All At Once enough. I saw it last night and I’m still reeling. I laughed! I cried about the love and trauma that can exist within one family! I came away with one of the silliest jokes about Ratatouille I’ve ever heard, which is completely inexplicable outside of the film’s context!
It’s not going to be everyone’s cup of tea for a variety of reasons: it’s zany and complex and very purposely TOO MUCH, and at times the humor could charitably be described as… Chaucerian. I suspect the plot line about the daughter’s sexual orientation may not land well with some of the readers of this newsletter for reasons I understand but disagree with, but I also think it handles the issue with real sensitivity toward the perspectives of the mother and grandfather that you don’t often see portrayed in film.
But oh man, a film about inter-generational immigrant familial trauma that centers the viewpoint of a middle-aged mom? Where she also does Kung Fu? That centers on the power of unconditional love? Just incredible. I loved it, and I’m going to end up seeing it again.